北齐佛像与刻经均取得显著成就,具有鲜明独创性与转折期特点。其窟像不同于北魏之秀骨清像,也区别于唐代的圆熟完整,呈现出雄强厚重与多元的独特风格。如邺都响堂山石窟中塔形窟和青州出土的窖藏佛像,分别体现皇家气派与天竺艺术之影响。北齐石刻佛经亦是融合传统与外来文化,为大规模刻经的初现。本文通过综合分析石窟、摩崖刻经及单体造像,首次将北齐造像与刻经艺术综合划域分区考量,既划分出其各自地点区带的内容与形式特色,又可见其中区别与联系。展现了北齐佛教艺术多元化的成就。

The Buddha statues and engraved scriptures of the Northern Qi Dynasty represented remarkable accomplishments, featuring distinct originality and transitional characteristics. Unlike the slender and elegant statues of the Northern Wei Dynasty or the mature and complete ones of the Tang Dynasty, the statues of the Northern Qi Dynasty presented a unique style of strength and diversity. For instance, the tower-shaped caves of the Xiangtangshan Grottoes in Yecheng and the Buddha statues unearthed in Qingzhou respectively demonstrated the imperial grandeur and the influence of Indian art. The engraved scriptures of the Northern Qi Dynasty also integrated traditional and foreign cultures, marking the initial appearance of large-scale engraved scriptures. This article, through a comprehensive analysis of grottoes, cliff inscriptions and freestanding statues, for the first time comprehensively classified and zoned the Buddha statues and engraved scriptures of the Northern Qi Dynasty. It not only identified the content and form characteristics of each geographical grouping but also revealed the differences and connections among them. It showcases the diversified achievements of Buddhist art in the Northern Qi Dynasty.