《唐宋巴蜀观音图像艺术研究》以唐宋时期巴蜀地区的观音造像遗存为研究对象，通过系统的学术体系建构，深入阐释巴蜀佛教艺术兼容并蓄的开放性、题材图式的创新性与在地性、信仰实践的功利性与融合性等核心特征。研究综合运用美术史、考古学与量化分析方法，揭示观音图像程序的自由重组、地域风格的成熟及独创贡献。在此基础上，从微观视角透视文明交融史，彰显地域文化主体性，映照社会心灵图景，并为当代文化遗产的传承与创新提供启示。

Artistic Research on the Images of Bashu Guanyin during the Tang and Song Dynasties takes the extant Guanyin sculptures in the Bashu region from the Tang and Song Dynasties as its research object. By building a systematic academic framework, the book deeply explains the key features of Bashu Buddhist art: its open and inclusive spirit, its innovative and local subject matter and iconographic patterns, and its utilitarian and syncretic religious practices. The study comprehensively employs methods from art history, archaeology, and quantitative analysis to reveal the free recombination of Guanyin iconographic programs, the maturation of regional styles, and original contributions. On this basis, it examines the history of civilizational integration from a micro perspective, highlights regional cultural subjectivity, reflects the spiritual landscape of society, and offers insights for the transmission and innovation of contemporary cultural heritage.