富县石佛堂第 6 窟开凿于北宋政和七年（1117），是由寺僧元智主持，当地信众刘晏等四人出资，著名鄜州介氏工匠家族成员介子用等人共同开凿完成，是一座典型的宋金时期陕北民间开窟。洞窟造像以陕北地区独有的五百罗汉与释迦涅槃组合造像为主题，同时还加入了五台山化现、具有独立尊格的文殊圣老人等五台山信仰内容，是宋金时期陕北地区佛教造像题材和思想的典型代表，对研究陕北宋金石窟具有重要价值。

Cave No. 6 of the Shifotang Grottoes in Fuxian County was carved in 1117 CE (the seventh year of the Zhenghe era during the Northern Song Dynasty). Its construction was presided over by monk Yuanzhi, funded by four local devotees including Liu Yan, and carved by artisans such as Jie Ziyong, a member of the famous Jie family of craftsmen in Fuzhou. It is a typical example of a grotto sponsored by the folk in northern Shaanxi during the Song and Jin dynasties. The statues inside the cave are centered around a distinctive combination of the Five Hundred Arhats and the Shakyamuni’s Parinirvana, which is unique to northern Shaanxi. Additionally, it includes images related to the manifestations on Wutai Mountain and the independent Venerable Elder Manjusri Bodhisattva, reflecting the Wutai Mountain Buddhist belief system. This cave is a representative example of the themes and ideologies of Buddhist sculpture in northern Shaanxi during the Song and Jin dynasties and holds significant value for the study of grottoes from this period in the region.