邛崃花置寺摩崖造像第 6 龛是四川地区少见的唐代大型千佛造像。龛内保存的《花置寺造像记》在传刻过程中出现多处讹误，特别是“无量寿佛”被误刻为“无量诸佛”。根据造像记，花置寺第 6 龛是由长安章敬寺上座僧采与邛州白鹤寺道应协同开凿而成的，故而龛内造像的题材和样式兼有长安和四川两地的特征。就宗教意涵而言，考虑到僧采与净土四祖法照曾共处章敬寺，推测花置寺第 6 龛可能与“五会念佛”有关。透过花置寺第 6 龛，我们可以清晰地观察到唐代四川与长安间的佛教文化交流。

The 6th niche of the Huazhi Temple Cliff Carvings in Qionglai is a rare example of large-scaleThousand-Buddha sculptures from the Tang Dynasty in the Sichuan region. The Inscription on the Statues at Huazhi Temple 
preserved in the nich, has undergone several reprints, during which multiple errors were caused, especially the 
Wuliangshoufo(Amitabha Buddha) being mistakenly engraved as Wuliangzhufo(Immeasurable Buddhas). According to the inscription, the 6th niche of Huazhi Temple was carved by the monk from Zhangjing Temple in Chang’an and Baihe Temple in Qiongzhou. Therefore, this niche combines the characteristics of both Chang’an and Sichuan’s style. In terms of religious function, considering the long-term coexistence of Sengcai and Fazhao in Zhangjing Temple, it is speculated that the 6th niche of Huazhi Temple may be related to Dharmalparyaya. Through the 6th niche of Huazhi Temple, we can directly observe the vibrant Buddhist cultural exchange between Sichuan and Chang’an during the Tang Dynasty.